Visit my Website for all the blurbs, excerpts and news!!

Visit my Website for all the blurbs, excerpts and news!!
Visit my Website for all the blurbs, excerpts and news!!
Showing posts with label Katerina Ross. Show all posts
Showing posts with label Katerina Ross. Show all posts

Monday, 25 February 2019

Character portrait - Hugh

It took me a while to get round to post this because I have been awfully busy this last week, but I am so delighted by this unique birthday present I got on Valentine day! The ever-awesome Katerina Ross made a portrait of Hugh, one of the three MCs from Spice & Vanilla!!

This is especially lovely because Hugh is my favourite character in the book, but for various reasons I never got round to make a sketch of him. And now I don't need to because Katerina absolutely nailed it (nailed him would sound ahem, wrong?)
 

Hugh had started out (I am an absolute pantser) as a secondary character, and if not quite a villain, at least as a bit of a dick... but then he began rewriting himself from the inside out, and he became this incredibly deep, multifaceted, wonderful person... he's my true voice in the story.

So here's a post all for him, a complete character portrait.

Hugh is a Dom, and has a rough, grumpy hide... he's also a musician, and a music teacher... and his favourite musicians are the great Neo-Romantics... that should be a hint that there is more to him than meets the eye, right? 


"Rachmaninov’s Piano Concerto no 2 was on, as loud as was admissible in a city flat, or maybe a little louder, and Hugh was sprawled on the sofa like a large cat, soaking in the music. He had already taken off his shirt, which lay abandoned on the back of the sofa, but he must have gotten cold because he had snuggled under a plaid.

“Took your time,” he said, with a yawn, without opening his eyes.

That was his typical style.
“Rachmaninov, really?” she asked, tossing the shirt out of the way. “Bloody neo-romantic racket.”
He waved his hands like a cook wafting some elusive smell to his nose. “At least, as classical music goes, it’s got some hair on its chest.” And that was the highest compliment Hugh could pay to a musical composition.
The recording was terrible, crackly and tinny. Horrid. Hugh seemed to divine her thought.
“It is himself, on the piano. In 1929. Surprisingly fast, eh?”
Lucie shrugged, then bit her lower lip and bowed her head. She could taste lipstick on her teeth, which was sexy as hell. Oh well. Rachmaninov would cover the noises, at least. Mostly. Hopefully.
“Come here then,” said Hugh, throwing the plaid aside, sitting up and patting his knee invitingly.
Hugh was a man of average height, with short, fuzzy, dark hair thinning slightly around a widow’s peak and a semi-permanent stubble (greying now) on his chin and jaw. He was neither especially good looking nor in any way unpleasant, and dressed rather shabbily at almost all times. He was in fact an entirely unremarkable man, except for a limited set of small tics that betrayed a rather more active and nervous mind than most. Which was why people would have been flabbergasted by the impressive set of tattoos that adorned his chest, shoulders, and upper arms. They were somewhat faded and partly obscured by the luxuriant growth of dark hair on his torso, but even so, they gave him a distinctly wicked look, absolutely at odds with his sarcastic but otherwise pretty harmless everyday manner....."


Hugh is a good cook (always a great asset in a man). He does quite a bit of cooking in the book, but since he's the Spice in the story, I will share his hot Puttanesca recipe.

““Fancy some dinner?” asked Hugh.
“Nah. Ate something on the way here.”
By the vagueness of the “something” and Raphael’s pale, pinched looks, Hugh doubted that very much, but sometimes he just didn’t have the energy to argue the point. He dished out his own meal and went to sit on the sofa close to Raphael, hoping that the smell of homemade puttanesca sauce would eventually entice him to take a bite or two. Sometimes, it was all that you could do for him.
Indeed, after a while Raphael relaxed enough to go poking around in the kitchen and pick at the pasta left in the pan with a wooden fork. He didn’t fill a dish, or sit down, mind, just ate a few mouthfuls standing by the hobs, like a long, thin, picky stork...”

Hugh’s Puttanesca (note that the word Puttanesca refers to a whore, or bitch. It’s a dish that should be *very* spicy )

-one large onion, chopped
-3 or four cloves of garlic, finely chopped
-one cup (approx.) of Greek black olives, destoned if you prefer
-one heaped table-spoon of salted capers
-one can of peeled tomatoes
-hot chili, fresh or dried, to taste (I like it *hot*! Hugh is the Spice!)
-a small bunch of fresh oregano, or a very generous pinch of dried one
-olive oil
-Parmesan cheese, grated
-300 g pasta (the tradional format would be spaghetti, but I like fusilli)
-Fresh basil (optional)

Feeds 4 city people, or 2 hard-working farmers  ;)

Gently sauté the onion and garlic in a large pan (with bit of olive oil). When softened but still pale, add the chili, olives, and capers. Sautè until the onion is slightly colored at the edges. Add the tomatoes and simmer for ten minutes or so, until most of the liquid has evaporated but the sauce is still pretty loose. Add the oregano and set aside.
Cook the pasta, drain it and bring the sauce back on the fire. Mix in the pasta, and a spoon of olive oil. Adjust seasoning, take to the table in the same pan, and after dishing it out, scatter generously with Parmesan cheese and some basil if you like (do not, for the love of all that is holy on this good green earth, cook the Parmesan cheese and the basil in the pan).







Want to see Hugh in action in his Dom persona? Here's a little excerpt from the famous "metronome scene". This scene got more comments from readers than any other in the book. :)


Hugh watched him stroking away with great contentment. He was totally worn out after a crazy day at work, and it was not always easy to find the energy to satisfy such an enthusiastic masochist. There were days when he wished Raphael were a bit less fond of being spanked and whipped, but he always did his best to oblige him. The thought of his Raphael going out there looking for release from God-only-knows-whom, and getting hurt for real by some less scrupulous or talented Dom was just unbearable. Still, tonight he would lie back and relax. Mostly. I will have to help him eventually, he thought with a slightly evil grin, but I can take a breather first.
Raphael stroked in perfect tempo. He was one of the most technically exact musicians Hugh had ever played with, after all. Too exact, in fact.
It would do him so much good to let go a bit, to just go with the flow, be wild and imprecise and purely passionate. Then he would not need so much of this.
Tick—tock—tick—tock—tick—tock, went the metronome, and Raphael stroked and stroked. It was a good while before Hugh could tell, from a small furrow between those blond eyebrows, that the unchanging, slow rhythm was beginning to frustrate him. He smiled a bit wider and said nothing, devouring his beautiful quarry with his eyes. He watched, entranced the fluid play of flesh and skin as Raphael’s long pale cock, a nice ruddy purple by now, sank and reemerged into and from his fist, the velvet-like foreskin lapping beautifully over the shinier, silky glans, the testicles bouncing softly to the rhythm as the scrotum was pulled up and released. It was hard to resist the temptation to throw the whole scene to the devil and just take that cock in his mouth and suck it empty.
This is without exception the best use a metronome was ever put to.
Raphael’s body was developing a number of small, charming tics and twitches. He briefly lifted his left knee from the mattress then relaxed again. His right wrist was pulling on the strap from time to time, and his breath was coming in slightly ragged bursts.
Still it took a long time. Too much control, thought Hugh, smiling. Tsk-tsk.
Tick—tock—tick—tock.
He slowly unfolded his hands and moved to sit between Raphael’s legs. He spit on his middle finger and watched Raphael’s face, half hopeful, half anxious, as he slowly approached his anus. He didn’t hurry. He let Raphael wait for it. He would beg, in time, Hugh knew, but there was no need for that, not yet. He finally pressed his fingertip to the twitching, tight, live rose of flesh and felt it jolt and spasm. He massaged it in circles, with relish, and didn’t even try to penetrate it. Raphael was shaking all over, trying to press down on his finger, but there was just so far he could stretch, tied as he was. His belly muscles went taut. They were contracting in random, jerky convulsions. Hugh had never seen anything so beautiful.
Then Raphael missed a beat. His hand had picked up pace, ignoring all orders. Raphael whimpered, trying to compensate to get back in the right tempo. The double change of pace made him squirm all over. He swallowed twice and missed the beat again. This time Hugh slapped the inside of his thigh, very hard. Raphael could take a long regular series of well-spaced blows with relative ease, but a single hard slap coming down out of the blue like that drew a ragged cry from him.
“You do know what tempo means, I asked?” Hugh said, in a plain chatty voice. He had never had any taste whatsoever for histrionics. He was not, he had never been, a theatrical Dom. He wasn’t in it for setting up a show. He just got the job done.
“Yes. Yes!” said Raphael, a bit frantic. He managed to stick to the rhythm for a minute longer, until Hugh gently stuck his finger just within the ring of his anus. All of Raphael’s body twisted, and he lost all track of the cold, mechanical rhythm of the metronome.
And that is exactly what you need, my love . Too much playing by the rules, too much fucking control. You need to find your own tempo, and just let go.
Five or six fast hard strokes followed. Hugh slapped him twice, on his thigh, and, when he turned suddenly, on his butt. And then Raphael came, on the third slap, as he flopped flat on his back again, crying out in pleasure or pain, or both. It was hard to tell. Semen spurted out in beautiful, long, arched white streamers, splattering over Raphael’s belly, chest, and even his face.
It is difficult to aim while being spanked hard.
Hugh watched him coming, avidly.
He was so naked. So vulnerable, so unguarded. Hugh, who felt, every day, that he might shatter like glass, on Raphael’s unearthly, impossibly graceful, self-possessed beauty, lived for these moments, to watch him released of all self-consciousness and all bonds. Strange, how it took a bunch of leather straps to get him to do that.
“Ah, oh, shit. That hurt,” Raphael whispered after a minute. “Not complaining, mind,” he added, with a small edgy laugh, wiping some drops of sperm from his lips and eyebrow.
“Good,” said Hugh, quite composed, despite the erection straining in his pants. Watching Raphael twitching and jolting while covered in glistening semen was not a sight to leave him unmoved. He reached out for the metronome, stopped it and lowered the weight a tad, then started it again.
This was a faster, business-like tempo.
“There you go, hot lips,” he said to Raphael, who was still breathing hard from his orgasm.
“What? Wh—but…”
Hugh gave him a small devilish smile. Raphael was perfectly capable of coming two or three times in one night, but, like most men, he needed a while to recuperate in between. Well, tonight, he wasn’t getting it.
“You didn’t think it would be that easy, did you?”

......
But there is more to Hugh that just being "capable". There is a whole world of passion and emotion under that rough and gruff mask...


"...He had never been able to talk about Raphael. Raphael was too much like a sharp blade sitting dangerously close to a vital organ.
He sat in front of the glowing screen, clasping his hands and stared and stared.
How do you say, please forgive me, don’t go away from me, don’t leave me, without sounding like a complete and utter pillock?
How do you say, I am nothing, and nothing, and nothing, if I think that I could lose you. If I think that I may have lost you already. How do you say, in an email, I am but darkness, and you—the light?
Hugh sat, clasping his hands, and rocked and fought back tears.
“Raf, please, pick up the phone.”
He knew, he had always known, with cold, sickening certainty, that he had failed to love Raphael the way he wanted to be loved. Oh, he had given him all the kinky and twisted things he liked, but he had never let him get too close. He had always held himself apart, at a distance, too terrified to fully engage all of himself. He had used his sarcastic humor and lofty Dom aura in a desperate attempt to keep some sort of balance in their relationship, because in truth he had always suspected—no, he had always known, in the darkest, least acknowledged corner of his mind—that he was not worthy of licking Raphael’s boots.
Raphael was everything he could only possibly dream to be, beautiful, smart, naturally impressive, socially easy.
He was art made flesh, and a talented artist. He had it all, and he was even nice, on top of it. Hugh had always been so much in awe of him, so sure that Raphael was bound to bolt with some other stunning creature more like him, soon or late, that he had had to armor himself in sarcasm and stay aloof, against the inevitable fact that he was going to lose him. It was that, or falling at Raphael’s feet and surrendering to him his heart, blood and life, like a bloke in a play. Pathetic.
I am but darkness, he thought again and again, sick with this desperate, terrified heartache he had had for seventeen years, and you are light and flame. You would burn me to cinders. If you could have me whole, you would go through me like a lightning strike and leave me nothing.
I can’t love you in a civilized way. I must keep you separate or devour you and be devoured. And there is so little of me to devour. And then, if I lost you, there would be nothing left at all.
How the fuck do you put this in an email? It would be easier to say it in music. If only I were good enough I would. I’d write a whole fucking symphony, for you, my love. Oh, my love, my love, don’t leave me.
He clapped the laptop shut and tried his hand at a letter, the old way. Pen and paper. The pen lay on the sheet untouched while Hugh clasped his hands.
How do you write the absolute certainty that you will break yourself upon someone’s beauty? Shatter, like glass, like water, scatter to nothing, like stardust. Hugh could see it clear as day in his mind, but there are no words for it. He could almost physically feel his heart scattering, like a dandelion clock, one seed and then another and then another, until nothing was left but something bald and naked, something finished.  He clasped his hands tighter and tighter under the table. To keep himself whole.
I would be obliterated. I would be nothing, and nothing, and nothing, if I let myself get that close to you. I would fall in you and be swallowed whole, like a poor burning comet in a white flaming star. And you wouldn’t even notice. You wouldn’t even notice.
You have no—fucking—idea what it’s like to be someone like me, looking at someone like you...."

And that kids, it's why an ancient poet wrote, 
"Even coals can glow like stars, when they are burning."

You can find Hugh in Spice & Vanilla 

With a million thanks to Katerina Ross for the wonderful art. 

Thursday, 7 February 2019

Five authors (alive or dead) that I would like to meet - the #evernighties




Five authors (alive or dead) that I would like to meet.

First of all I want to meet (again) my dear friend LeaBronsen. She came visiting last year with her lovely family and I can’t wait to see them all again. It happens from time to time that you meet people online by chance, and it turns unexpectedly into real friendship. When I started talking with Lea (we had two books releasing on the same date, and were swapping blog spots, and one thing led to another) we discovered we had an absurd number of things in common. It became downright ridiculous, like we both had ducks *of the same rare breed*. Don’t tell me that’s normal. Some things are destined to be.

Second, I’d love to meet my other partner in crime KaterinaRoss, whose twisty, kinky magical world (see my post about the Sons of Gomorrah) I adore. She is also a fellow artist, and we have a Facebook Group together, the Ross and Wyvern Notorious Book Club. I don’t think I would have ventured into making an author/artist Facebook group on my own, but doing this with a friend turns out to be a lot of fun! We are both absorbed by increasingly weird writing projects, and I hope that if it comes to the worst, they lock us up in the same psych ward, so we can keep entertaining each other with our bizarre stories.

Third, I’d love to meet Adonis Devereux. This is actually two people, so perhaps it is cheating. They were pretty much the first people I met when I joined Evernight Publishing. We enjoyed each other books. And one thing and another, it sparked an online friendship that is still strong. They inhabit a wonderfully complex imaginary world, part of which can be explored in their Gilalion books. It is wonderful to talk stories with them, but it takes so long to type all our ramblings out, that it would be nice to just have a cup of tea together (or twwo or six) and talk them through until we are hoarse.

The other two authors I mention I have never talked to.
One is Terry Pratchett, and sadly he’s gone. There cannot be many authors with such a wickedly sharp sense of humour, such a wonderful talent for world-building, characterization and all-round story-telling. Although it’s easy for the snobs to dismiss his books as mere childish fantasy tales, they are in fact tremendously “grown up” books, full of wisdom and knowledge, craftily worked into an alternate universe of dazzling complexity. I would think the man behind these stories must have been pretty exceptional, and I wish I had had a chance to know him.

And finally I might like to meet Bill Bryson, whose travel books I have loved for many years. A well travelled person is always fun to talk with, and Bryson has a fine sense of humour, which is much needed these days.

There so many authors that I love. Antonia S. Byatt is my favourite of all times, but she seems rather daunting and rigid, as a person. Tolkien of course, but apparently he mumbled a lot and it was really difficult to understand a work he said, even for native English-speakers. It might be a tad awkward. O’Brian, perhaps? But he was such a fiercely private person, and so averse to being interviewed, that I fear I might get on his wrong side as soon as I say Good Morning. Some authors are best known through their books only, perhaps.

Tuesday, 29 January 2019

Favorite Series - The Sons of Gomorrah - by Katerina Ross

I am going to host favorite books and authors in no particular order in the next weeks/months, and today I am happy and especially honored to start with a very favorite author of mine, Katerina Ross, and her wonderful mm paranormal series, The Sons of Gomorrah. I love this series, and I was curious to know how it came to be written, and Katerina obliged me with this lovely guest-post. Scroll on for info, blurbs, teaser and excerpts.





Hello and thanks for hosting The Sons of Gomorrah :) For me, this series is a dark tapestry consisting of many tiny threads, perhaps not too obvious at first glance. I’ve been weaving it without having a clear idea what might come of it, but with certainty that it’s something I need to do.

In the beginning, there was a lonely young man who wished to join a famous school of magic, for his life to become an endless fairytale, and a much older magician who tried to talk him out of it. Not much plot, as you see. The idea of shady things going on in such an establishment was haunting me for years, gaining more details now and then but not turning into a book, until another character joined in, an incubus who appeared during an exorcism gone slightly wrong. He was the force that made very vague concepts finally (and rapidly) start taking shape, arranging disengaged threads into an eerie, baroque picture.

In its design, you might notice the influence of Gothic novels I’ve been studying for quite a while, as well as the weird and elegant works of fin-de-siècle and early 20th century horror authors like Arthur Machen and Charles Williams, though I have a drastically different understanding of some of their themes. You might even find traces of Sherlock fanfiction there (I couldn’t help dropping a few quotes because I’ve been writing Sherlock fanfics for too long!). And I think this story wouldn’t be what it is if I haven’t been working with a much sinister kind of books, as a journalist: the Soviet era documents on purges and political trials, which are now published. As much as my series is about magic and demons, it’s about individuals in a big system, and the ways they corrupt it-and are corrupted in return, often without even realizing it or choosing not to notice what’s going on around them. But it’s also about finding peace and family in the most unexpected ways.

"...a wonderfully interwoven tapestry of world-building, emotional connection, backstory and (hot) action. Vastly recommended."




Tristan Todorov, formerly one of the best scholars at the legendary and sinister Scholomance school of magic, was cast out and now travels alone through Eastern Europe offering discreet services as an unlicensed magician. In a luxurious hotel in Prague where he’s been invited to investigate a suspicious series of suicides, he’s about to meet someone who will make him remember the darkest secret of his past.

Will a night of lust soothe Tristan—or will it stir up something evil and dangerous, something he’s tried so desperately to forget?


Excerpt:
Jarek slid off the bed, the coverlet still loosely draped over his shoulders and trailing behind him like a king’s cloak. In the gap between the folds, Tristan could see everything he wanted to. Jarek was a better version of him, unscarred, untainted. His erection, rising from a thatch of pubes, mirrored Tristan’s. What would it feel like, touching it? It must be like reaching out for a reflection—and finding warm flesh instead of cold glass…
“Don’t move,” Jarek told him softly. “Keep your hands to your sides.”
And Tristan obeyed.
“Interesting,” Jarek mused, trailing a finger along his collarbone.
Tristan sucked in a deep shuddering breath, but stayed still. It felt odd, letting this happen. Jarek slipped his hand lower, casually brushed it across Tristan’s perked nipple on the way, and then traced a path down his chest and over the muscles of his abdomen. Tristan’s abs went taut at the feather light touch, and Jarek laughed quietly.
“Sensitive.” Jarek stated the obvious. He let the coverlet slip from his shoulders—an effortlessly seductive gesture, probably well-practiced, like Tristan’s trick with snapping his fingers. A slow, crooked smile made the expression on Jarek’s face all the more lascivious, which was most certainly the intention. “I think I know what you need.”
Tristan looked down pointedly and then up, with a hint of sarcasm. “Well, that’s kind of apparent.”
He still felt nervous, but not as much as when he’d thought of being pitied or rejected.
Jarek quirked an eyebrow at him. “Is it? Hmm. We’ll definitely come to that, but why rush things? I’m here to take care of your wishes, even the ones you’re not sure you have. Why not try something new, something unusual?” He leaned in, very close, and Tristan felt Jarek’s warm breath on his lips when he whispered, “Just let me take control for a while, and you’ll see how good I can make you feel.”
The next moment, Jarek backed off, to Tristan’s disappointment, but maintained eye contact, and Tristan felt unable to look away, as if mesmerized. The tips of Jarek’s fingers now rested lightly on his hipbones, almost where Tristan wanted them most but not moving closer.
“Say yes,” Jarek coaxed him in a low voice. “Say you give in to me tonight. It’s easy, giving in.”
“Yes,” Tristan breathed out, not sure what he’s agreeing to and not caring in the least.

Soul Infection at Evernight

And on Amazon

 

⭐⭐⭐⭐⭐

 



"...a wealth of world-building and atmosphere. And the dynamic between the two main characters is far from obvious and two-dimensional."


Tristan, a freelance magician, falls for an incubus, a Gomorrah pleasure demon, who works as an escort in a luxurious hotel in Prague. To free him from a contract that binds him, Tristan needs to solve a problem for a very influential man, Ambrosius Schwarzenstein, who is currently looking for a personal assistant with a knowledge of occult practices. 

As Tristan plunges into an investigation of a mysterious death, he might find more than he wants to and face his worst fears. Will he set his lover free or bring trouble to them both?


Excerpt:
Pressed together from head to toe, they kissed leisurely as if they had all the time in the world. Tristan felt a bit sore between his legs after a few rounds of vigorous coupling, but it was a pleasant burn, a reminder of their bodies united in so many enjoyable ways, and his cock certainly seemed to vote for a sequel. The sheets were a wrinkled mess beneath them, and Tristan could feel the ready heat of Jarek’s erection against his own, a torturous sensation because he needed more friction, more, more, and right now.
“Shh, there’s no hurry,” Jarek whispered as he aligned his cock against Tristan’s, his hand wrapping tightly around them both. “Don’t rush it. Don’t come until I say you may.”
Jarek’s hips rocked lazily against him, and Tristan tried his best not to squirm in uncontrollable ecstasy, or maybe agony, or both. Jarek made his pace purposefully, cruelly slow. Tristan grasped at his back, fingernails digging deeper and deeper, all muscles drawn taut with need. He lost any awareness of how much time had passed, but he couldn’t hold on much longer, he couldn’t, he couldn’t…
“Not yet,” Jarek warned him with a wicked grin, squeezing the base of Tristan’s cock to prevent the approaching orgasm. “I want to savor this. Savor you, while I can. Your face … it’s so open now, so unguarded. I like it.”

 

The House of Fear at Evernight 

And on Amazon 

 

⭐⭐⭐⭐⭐

 


"... the emotional charge of this series grows deeper with every volume, as the characters are explored further, some of their past is laid to rest, and other dark doors open..."



For Tristan Todorov, formerly a freelance magician and now a consultant on occult matters, living with an incubus turns out to be rather challenging. Not only because there’s little information on incubi, Gomorrah pleasure demons. Jarek, the one he has a contract with, has a fiery personality and a dark past, and sometimes he’s a mystery Tristan can’t decipher.

When Tristan ends up in possession of an illegal artifact with peculiar powers, he hopes it might help him and Jarek to finally understand each other. Will it be a blessing indeed—or a curse that might put them both in danger?
 


Excerpt:
In the shower, Tristan discovered there was a bruise where Jarek had been gripping his hip, in addition to the hickeys. He poked at it experimentally. It was strangely enticing, to be marked like that. He wouldn’t mind if Jarek joined him, like he often did, and explored his skin under the hot spray in search for more marks of the same origin, but Jarek stayed away this time and Tristan couldn’t muster enough cheekiness to call him.
During breakfast, they always bumped into each other in the tiny kitchen, and Tristan liked it. Particularly when Jarek wore nothing but boxers, like now, and sometimes even less. Today, however, Jarek kept his distance, and it was a tad worrying, but again, Tristan withheld from commenting on it.
It wasn’t until Tristan started washing the dishes when Jarek finally slipped closer. Very close. He caged Tristan in against the counter, one arm on each side of his body, not quite pinning him but also not giving him anywhere to go. He licked a swath of skin below Tristan’s ear, which was a nice way to start a conversation.
“I wasn’t too rough, was I? Tonight.”
Maybe it was easier for him to talk when Tristan wasn’t looking.
It was the same for Tristan. If it made Jarek forget his nightmare, he didn’t mind a little rough, and he had no problem with saying that, face to face. But he had something else to admit, and it was better doing it like this.
“Uh. I liked it, actually.”
“That’s not what I asked,” Jarek whispered into his nape. His hands hiked up Tristan’s t-shirt, slid underneath it, but not demanding this time, just tenderly wandering up and down Tristan’s flanks. “I … you see, it wasn’t … I wouldn’t normally…”
Jarek seemed to be uncharacteristically out of words.
Tristan turned, facing him now, but still pinned to the counter by Jarek’s whole body.
“It’s really fine. I know you would have stopped if I said I didn’t like it.”
Jarek avoided his gaze.
“I’m usually more … calculating. In the sense, how would it feel for you if I do this, how you’re going to respond if I do that. I’m not supposed to be…”
“…enjoying yourself?”
“More like losing control. Don’t get me wrong, I get off on this kind of scheming. I guess it’s natural for incubi, watching for reactions, striving to get it right. It’s part of the fun, doing a detective’s work while shagging. Or a psychologist’s. So I’m enjoying myself perfectly well. But tonight … it was a bit egotistic, wouldn’t you say?”
Tristan leaned in to nip at Jarek’s lower lip, rubbed his nose against Jarek’s. “Hey, it’s called spontaneous sex.”
Jarek sighed like he hadn’t been entirely convinced, but answered with a slow open-mouthed kiss to Tristan’s chin, licking down his neck after that to lave at the spots where he’d left suck marks last night.
“Sorry about those,” he murmured. He sounded genuinely apologetic.
Tristan let out a small laugh, embarrassed to confess they fascinated him. “That could be a way to tell us two from each other, I guess.”
“You could mark me, too, if you want,” Jarek suggested, but there was unusual hesitancy in his voice. 


Angel's Eye at Evernight

And on Amazon 

 

⭐⭐⭐⭐⭐

 

 

Don't forget that the Sons of Gomorrah sprouted a delicious spin-off: